Mary Barton, particularly in its early chapters, is a
moving response to the suffering of the industrial worker
in the England of the 1840’s. What is most impressive
about the book is the intense and painstaking effort made
(5) by the author, Elizabeth Gaskell, to convey the experi-
ence of everyday life in working-class homes. Her method
is partly documentary in nature: the novel includes such
features as a carefully annotated reproduction of dialect,
the exact details of food prices in an account of a tea
(10)party, an itemized description of the furniture of the
Bartons’ living room, and a transcription (again anno-
tated) of the ballad "The Oldham Weaver." The interest
of this record is considerable, even though the method
has a slightly distancing effect.
(15) As a member of the middle class, Gaskell could
hardly help approaching working-class life as an outside
observer and a reporter, and the reader of the novel is
always conscious of this fact. But there is genuine imag-
inative re-creation in her accounts of the walk in Green
(20)Heys Fields, of tea at the Bartons’ house, and of John
Barton and his friend’s discovery of the starving family
in the cellar in the chapter "Poverty and Death." Indeed,
for a similarly convincing re-creation of such families’
emotions and responses (which are more crucial than the
(25)material details on which the mere reporter is apt to con-
centrate), the English novel had to wait 60 years for the
early writing of D. H. Lawrence. If Gaskell never quite
conveys the sense of full participation that would
completely authenticate this aspect of Mary Barton, she
(30)still brings to these scenes an intuitive recognition of
feelings that has its own sufficient conviction.
The chapter "Old Alice’s History " brilliantly drama-
tizes the situation of that early generation of workers
brought from the villages and the countryside to the
(35)urban industrial centers. The account of Job Legh, the
weaver and naturalist who is devoted to the study of
biology, vividly embodies one kind of response to an
urban industrial environment: an affinity for living
things that hardens, by its very contrast with its environ-
(40)ment,into a kind of crankiness. The early chapters―
about factory workers walking out in spring into Green
Heys Fields; about Alice Wilson, remembering in her
cellar the twig- gathering for brooms in the native village
that she will never again see; about Job Legh, intent on
(45)his impaled insects― capture the characteristic responses
of a generation to the new and crushing experience of
industrialism. The other early chapters eloquently por-
tray the development of the instinctive cooperation with
each other that was already becoming an important
tradition among workers.
17.Which of the following best describes the author's attitude toward Gaskell's use of the method of documentary record in Mary Barton?
(A) Uncritical enthusiasm
(B) Unresolved ambivalence
(C) Qualified approval
(D) Resigned acceptance
(E) Mild irritation
18. According to the passage, Mary Barton and the early novels of D. H. Lawrence share which of the following?
(A) Depiction of the feelings of working-class families
(B) Documentary objectivity about working-class circumstances
(C) Richly detailed description of working-class adjustment to urban life
(D) Imaginatively structured plots about working-class characters
(E) Experimental prose style based on working-class dialect
19. Which of the following is most closely analogous to Job Legh in Mary Barton, as that character is described in the passage?
(A) An entomologist who collected butterflies as a child
(B) A small-town attorney whose hobby is nature photography
(C) A young man who leaves his family’s dairy farm to start his own business
(D) A city dweller who raises exotic plants on the roof of his apartment building
(E) A union organizer who works in a textile mill under dangerous conditions
20. It can be inferred from examples given in the last paragraph of the passage that which of the following was part of "the new and crushing experience of
industrialism" (lines 46-47) for many members of the English working class in the nineteenth century?
(A) Extortionate food prices
(B) Geographical displacement
(C) Hazardous working conditions
(D) Alienation from fellow workers
(E) Dissolution of family ties
21. It can be inferred that the author of the passage believes that Mary Barton might have been an even better novel if Gaskell had
(A) concentrated on the emotions of a single character
(B) made no attempt to re-create experiences of which she had no firsthand knowledge
(C) made no attempt to reproduce working-class dialects
(D) grown up in an industrial city
(E) managed to transcend her position as an outsider
22. Which of the following phrases could best be substituted for the phrase "this aspect of Mary Barton" in line 29 without changing the meaning of the passage as a whole?
(A) the material details in an urban working-class environment
(B) the influence of Mary Barton on lawrence’s early work
(C) the place of Mary Barton in the development of the English novel
(D) the extent of the poverty and physical suffering among England’s industrial
workers in the 1840’s.
(E) the portrayal of the particular feelings and responses of working-class characters
23. The author of the passage describes Mary Barton as each of the following EXCEPT
(A) insightful
(B) meticulous
(C) vivid
(D) poignant
(E) lyrical |
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